<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="http://feeds.feedburner.com/~d/styles/atom10full.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://feeds.feedburner.com/~d/styles/itemcontent.css" type="text/css" media="screen"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/"><id>tag:blogger.com,1999:blog-5317437763268924224</id><updated>2009-01-07T15:10:08.605+01:00</updated><title type="text">AudioNewsRoom</title><subtitle type="html" /><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://audionewsroom.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>AudioNewsRoom</name><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>67</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><link rel="self" href="http://feeds.feedburner.com/audionewsroom" type="application/atom+xml" /><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3794264261694479179</id><published>2009-01-07T12:28:00.007+01:00</published><updated>2009-01-07T15:10:08.673+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2009-01-07T15:10:08.673+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><title type="text">Softube: the rock'n'roll scientists</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3794264261694479179" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3794264261694479179?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3794264261694479179?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2009/01/softube-rocknroll-scientists.html" title="Softube: the rock'n'roll scientists" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_dflsm6pay3s/SWSvkaG4StI/AAAAAAAAAkQ/LHPuScwK0zM/s72-c/Softube_VintageAmpRoom_Pano.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
They describe themselves as a trio (the hacker, the guitar player, and the professor) and if we were a tabloid (?!?) we could easily say that Softube is one of the "hottest names" in the audio software circus. 
Well, nevermind, we don't think you'll ever read of audio plug-ins on tabloids!...

Softube's first release, Amp Room, has been an instant classic here at AudioNewsRoom. We love the fact &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=BdDC9S.P"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=BdDC9S.P" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=pLhFxO.p"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=pLhFxO.p" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-1288600030809702428</id><published>2008-12-16T09:50:00.001+01:00</published><updated>2008-12-16T19:23:02.756+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-12-16T19:23:02.756+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="outboard" /><title type="text">SPL Transient Designer plug-in: some words with Dirk Ulrich</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=1288600030809702428" title="4 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/1288600030809702428?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/1288600030809702428?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/12/spl-transient-designer-plug-in-some.html" title="SPL Transient Designer plug-in: some words with Dirk Ulrich" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><content type="html">A couple of months ago, SPL, the well-known German manufacturer of analog hardware processors, has introduced their first software plug-ins: the Transient Designer and a set of three EQs (Vox Ranger, Bass Ranger and Full Ranger, based on the passive graphic equalizers of the SPL RackPack). They are available as RTAS, VST, AU and TDM versions. Please note: the TDM version of the Transient Designer&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=lgHoO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=lgHoO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=BJZro"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=BJZro" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-925645651951582609</id><published>2008-12-11T10:13:00.001+01:00</published><updated>2008-12-11T10:13:01.373+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-12-11T10:13:01.373+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="synthesizer" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="soniccharge" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><title type="text">Synplant: synth in the time of sustainability</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=925645651951582609" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/925645651951582609?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/925645651951582609?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/12/synplant-synth-in-time-of.html" title="Synplant: synth in the time of sustainability" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><content type="html">
As you probably remember, at the end of our last year's interview with Magnus Lidström , he gave some hints about the "close" relationship between the environment and his upcoming product.
Well, now we know that that product was Synplant, and that... yes, its concept has a strong link with nature and environment.
Sonic Charge's Synplant is a new form of software synthesizer. In his author's &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=I6oOO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=I6oOO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=K1Dho"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=K1Dho" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-2708923777798143500</id><published>2008-12-10T13:03:00.001+01:00</published><updated>2008-12-10T13:11:35.303+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-12-10T13:11:35.303+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="news" /><category scheme="http://www.blogger.com/atom/ns#" term="sound-design" /><title type="text">Soundsnap: new business model</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=2708923777798143500" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/2708923777798143500?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/2708923777798143500?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/12/soundsnap-new-business-model.html" title="Soundsnap: new business model" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_hsf6wE0sxWo/RzSnKHnkulI/AAAAAAAAAJY/iCLX42Znbw8/s72-c/ojoo-logo.gif" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">One year ago we wrote about Soundsnap's opening, and we're glad of the success this sound sharing service has had during its first year. Unfortunately this comes at a cost, and Soundsnap has just announced a new business model.There's still a free account, which gets 5 downloads per month. And then there are the Soundsnap PRO accounts, which you can see here in the table....The reasons for this &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=lOmaO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=lOmaO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=9PuMo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=9PuMo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3553634461532894500</id><published>2008-12-09T22:04:00.002+01:00</published><updated>2008-12-10T12:19:41.691+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-12-10T12:19:41.691+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="news" /><category scheme="http://www.blogger.com/atom/ns#" term="updates" /><title type="text">Soundtoys goes VST (and updates TDM - AU as well)</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3553634461532894500" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3553634461532894500?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3553634461532894500?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/12/soundtoys-goes-vst-and-updates-tdm-au.html" title="Soundtoys goes VST (and updates TDM - AU as well)" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><content type="html">
You already know Soundtoys are among our favourites tools to shape the sound. Well, the long awaited VST version is now available, thanks to the latest 3.1 release. This time it seems they really made everyone happy: this release includes a very important compatibility update for Digital Performer 6 users as well as a new version of Speed for Logic Pro users that integrates into Logic's Time and&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=YzQWO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=YzQWO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=Bcfdo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=Bcfdo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-7956964467741713151</id><published>2008-11-24T10:32:00.001+01:00</published><updated>2008-12-05T15:14:04.422+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-12-05T15:14:04.422+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="synthesizer" /><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="vintage" /><category scheme="http://www.blogger.com/atom/ns#" term="Gforce" /><category scheme="http://www.blogger.com/atom/ns#" term="sampling" /><title type="text">M-Tron Pro: the journey continues</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=7956964467741713151" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/7956964467741713151?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/7956964467741713151?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/11/m-tron-pro-journey-continues.html" title="M-Tron Pro: the journey continues" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
The M-Tron has been a "must" for any vintage sounds' lover since when it came out, years ago.Now with the M-tron Pro they are taking the whole concept to a new level. 
You'll probably remember GForce released another product in the meantime, Vintage String Machine, or VSM. Well, we could say the M-Tron Pro is the direct evolution of both.
It has (of course) the original sounds from the M-Tron, &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=aUKKN"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=aUKKN" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=RzZkn"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=RzZkn" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3558444125482177375</id><published>2008-11-20T11:06:00.001+01:00</published><updated>2008-11-20T11:13:19.534+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-11-20T11:13:19.534+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="harmonizer" /><title type="text">More saturation: VariSaturator</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3558444125482177375" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3558444125482177375?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3558444125482177375?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/11/more-saturation-varisaturator.html" title="More saturation: VariSaturator" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
There's never too much saturation available, isn't it? 
We were glad some time ago to find a new tool for such tasks, from Voxengo, called VariSaturator. The name is well thought, and tells us what to expect. From the user guide: "VariSaturator features two saturation modules which are applied in sequence, in twoband mode each.  The valve saturation module applies asymmetric valve processing &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=3V1jN"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=3V1jN" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=zq1rn"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=zq1rn" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-6223508361561910679</id><published>2008-10-30T19:23:00.001+01:00</published><updated>2008-11-03T10:30:29.550+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-11-03T10:30:29.550+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="sampling" /><title type="text">When the drum machines hit tape: Goldbaby</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=6223508361561910679" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/6223508361561910679?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/6223508361561910679?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/10/when-drum-machines-hit-tape-goldbaby.html" title="When the drum machines hit tape: Goldbaby" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://lh3.ggpht.com/_dflsm6pay3s/SQmBLgEvNzI/AAAAAAAAAj0/_z7o6SBWxk0/s72-c/tdm_goldbaby.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
Hugo Tichborne is the man behind Goldbaby Productions (or simply Goldbaby), and his mission was and still is quite simple: to create the best vintage drum machine samples on the market. 
Ok, we all know there are tons of similar samples, both free and payware, but his mission is based on adding some value to the good old "let's sample a drum machine" concept: the added value in this case means &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=50akM"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=50akM" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=Xfglm"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=Xfglm" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-6148546012584366108</id><published>2008-10-09T18:44:00.001+02:00</published><updated>2008-10-11T11:35:31.383+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-10-11T11:35:31.383+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="web 2.0" /><category scheme="http://www.blogger.com/atom/ns#" term="news" /><category scheme="http://www.blogger.com/atom/ns#" term="community" /><category scheme="http://www.blogger.com/atom/ns#" term="utilities" /><title type="text">Soundcloud: collaboration 2.0</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=6148546012584366108" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/6148546012584366108?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/6148546012584366108?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/10/soundcloud-collaboration-20.html" title="Soundcloud: collaboration 2.0" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://lh4.ggpht.com/audionewsroom/SO32UdSxpTI/AAAAAAAAAbQ/RyazpTrkefA/s72-c/SC_logo_screen_90x52_orange_white2.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
Tomorrow Soundcloud.com, the music sharing platform for music industry professionals, in beta since one year (accounts were only available by personal invite), goes public.
The Berlin-based company offers an interesting service for all those who would like something better than your average yousendit/ftp/etc. way of of transferring large music files (oh, I forgot, there's still people who send &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=K58OM"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=K58OM" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=cI8Im"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=cI8Im" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-8502577665967939042</id><published>2008-10-08T15:33:00.001+02:00</published><updated>2008-10-08T15:49:32.900+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-10-08T15:49:32.900+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="software" /><category scheme="http://www.blogger.com/atom/ns#" term="sound-design" /><category scheme="http://www.blogger.com/atom/ns#" term="sampling" /><title type="text">Hollywood Impulse Responses: convolution at its best</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=8502577665967939042" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/8502577665967939042?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/8502577665967939042?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/10/hollywood-impulse-responses-convolution.html" title="Hollywood Impulse Responses: convolution at its best" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">(photo: Vlastula on Flickr)

There's a huge number of Impulse Responses on the web, both free and commercial ones.
Yes, you can get some good free IRs here and there, but if I'd need to pick a name in this field, I'd say Ernest Cholakis (and his Numerical Sound brand) without any doubt. 
He's really a sort of mad scientist for these things, and he knows his stuff probably better than anyone else.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=8XARM"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=8XARM" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=fiOBm"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=fiOBm" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-7233386815921223424</id><published>2008-09-17T21:20:00.010+02:00</published><updated>2008-09-18T21:41:28.183+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-09-18T21:41:28.183+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="off-the-record" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><title type="text">Off-the-record: Soundtoys</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=7233386815921223424" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/7233386815921223424?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/7233386815921223424?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/09/off-record-soundtoys.html" title="Off-the-record: Soundtoys" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_dflsm6pay3s/SNKqMk_M5JI/AAAAAAAAAaA/yXxpSDnaXcI/s72-c/KenShot.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><content type="html">At Soundtoys they do work hard, no doubts. Their (may I add "awesome sounding"?) plug-ins, originally available for PT users only, were released in 2007 in the AU format, becoming an instant classic for native users. In the next weeks they're going to release the much-awaited VST version. 
So, we've been patiently waiting for Ken Bodganowicz, Soundtoys' founder and CEO, to reply to our questions,&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=sGssL"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=sGssL" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=RFZnl"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=RFZnl" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3783761699427236459</id><published>2008-08-27T15:40:00.008+02:00</published><updated>2008-09-03T09:53:06.826+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-09-03T09:53:06.826+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="news" /><category scheme="http://www.blogger.com/atom/ns#" term="software" /><title type="text">Soundhack delay trio</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3783761699427236459" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3783761699427236459?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3783761699427236459?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/08/soundhack-delay-trio.html" title="Soundhack delay trio" /><author><name>AudioNewsRoom</name><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_hsf6wE0sxWo/SLVcUA_c8qI/AAAAAAAAAKM/ta-Dm9m89Js/s72-c/soundhack.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><content type="html">
Tom Erbe, Soundhack's developer, has just released a beta version of a new mini-suite of plugs: it's called Soundhack delay trio, and it's freeware. 
Tom says "its not quite out of beta, so for the adventurous only. if anyone finds a bug or has a suggestion, drop me a line."
We had a quick look at the manual, and as usual with Tom's releases, it seems there' something interesting in this case &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=gaykO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=gaykO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=SvnDo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=SvnDo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-4374807401950652104</id><published>2008-06-25T08:48:00.006+02:00</published><updated>2008-06-25T13:50:28.130+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-06-25T13:50:28.130+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Logic Pro" /><category scheme="http://www.blogger.com/atom/ns#" term="news" /><category scheme="http://www.blogger.com/atom/ns#" term="Apple" /><title type="text">Logic keyboard cover: shortcuts made easy</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=4374807401950652104" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/4374807401950652104?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/4374807401950652104?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/06/logic-keyboard-cover-shortcuts-made.html" title="Logic keyboard cover: shortcuts made easy" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
Let's say you've just bought Logic 8 (Pro or Express). Like with other complex applications, learning at least the most important keyboard shortcuts is one the best thing to do. It speeds up your workflow, and makes the whole music-recording process easier.
You can start learning the shortcuts exploring Logic's menus, or having a look at the preferences. But it takes time, and it's not that fun &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=W2HmO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=W2HmO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=ZJKbo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=ZJKbo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3723259800696234885</id><published>2008-06-16T14:52:00.014+02:00</published><updated>2008-06-23T16:08:32.298+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-06-23T16:08:32.298+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="sampling" /><title type="text">New life for historic instruments: realsamples</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3723259800696234885" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3723259800696234885?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3723259800696234885?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/06/new-life-for-historic-instruments.html" title="New life for historic instruments: realsamples" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_dflsm6pay3s/SFaEf2HgsVI/AAAAAAAAAY0/f1HG1yJ6Pyw/s72-c/Erard_Hammerfluegel.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Some years ago I was in a musical instruments museum, and while it was good to see all those old, rare and incredibly beautiful harpsichord and pianos, I admit it was a painful experience. You know, I wanted to "jump" on them and start playing!Well, of course things are not going to change in this kind of museums, but technology sometimes may help: the german sample libraries brand, realsamples, &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=lSLDO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=lSLDO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=kKpmo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=kKpmo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-1950963654857131844</id><published>2008-06-04T15:19:00.008+02:00</published><updated>2008-08-18T13:07:41.778+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-08-18T13:07:41.778+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="software" /><category scheme="http://www.blogger.com/atom/ns#" term="updates" /><title type="text">Effectrix: mangling fun</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=1950963654857131844" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/1950963654857131844?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/1950963654857131844?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/06/effectrix-mangling-fun.html" title="Effectrix: mangling fun" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_dflsm6pay3s/SEaX5pRrkVI/AAAAAAAAAYs/pX3RCWe-rlM/s72-c/screenshot.gif" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">SugarBytes' latest release, Effectrix,  is a multi-fx based on a 32 step sequencer. It's a very interesting concept, both for its well-thought and aesthetically pleasant (well, unless you're into gothic stuff!) visual interface, and its creative possibilities.Effectrix features 14 fx: among them you'll find classic stuff like phaser, reverb, delay, filtering, but maybe most users will go for the &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=znuWO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=znuWO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=o7omo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=o7omo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-752702742939854043</id><published>2008-05-30T16:21:00.001+02:00</published><updated>2008-06-03T23:06:07.742+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-06-03T23:06:07.742+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="synthesizer" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><title type="text">Howard Scarr: a sound scientist</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=752702742939854043" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/752702742939854043?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/752702742939854043?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/05/howard-scarr-sound-scientist.html" title="Howard Scarr: a sound scientist" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
In the interview with Urs Heckmann from u-he, we mentioned the fact that Zebra 2 has been extensively used in the upcoming Batman - The Dark Knight. And we mentioned also Howard Scarr, because he's been hired by Hans Zimmer to assist him in the sound-design stage. 
Just some weeks ago, Howard Scarr (keyboard player in the uk prog scene with Zorch, sound designer for Access, Waldorf, etc.; for a &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=lagHO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=lagHO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=buAro"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=buAro" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3633365252513954886</id><published>2008-05-29T17:50:00.002+02:00</published><updated>2008-05-30T20:19:14.947+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-05-30T20:19:14.947+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="synthesizer" /><category scheme="http://www.blogger.com/atom/ns#" term="off-the-record" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="u-he" /><title type="text">Off-the-record: Urs Heckmann (u-he)</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3633365252513954886" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3633365252513954886?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3633365252513954886?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/05/off-record-urs-heckmann-u-he.html" title="Off-the-record: Urs Heckmann (u-he)" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://lh5.ggpht.com/audionewsroom/SD7LsCGCZiI/AAAAAAAAAXc/iVY8TMiC1hg/s72-c/offtherecord.gif" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Since a long time we wanted to ask some questions to Urs Heckmann, the man behind Zebra, Filterscape, MFM. 
If you're into software instruments, you probably already have some of his products in your plug-in arsenal. And, well, even if you're a hardware purist, you should have a look at u-he website...
P.s: Urs is known to love smileys, so we've kept them :-)

Your father is a sculptor, you have &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=QccuO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=QccuO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=1vx8o"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=1vx8o" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-317533867397437531</id><published>2008-05-28T11:28:00.001+02:00</published><updated>2008-05-30T18:37:58.292+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-05-30T18:37:58.292+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="drum-machines" /><title type="text">Devastor</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=317533867397437531" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/317533867397437531?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/317533867397437531?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/05/devastor.html" title="Devastor" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Probably you know the polish software house d16 for their classic drum-machines emulations. 
Their latest product, Devastor, is their first fx plug-in (and their first AU release, too). It's a Multiband Distortion Unit and it is an enhanced version of the distortion unit from their bass-line synth Phoscyon. Well, if you like to add some colour and dirtiness to your tracks, Devastor is for you. &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=rpcdO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=rpcdO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=8MlGo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=8MlGo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-9196437316917011306</id><published>2008-04-22T16:44:00.004+02:00</published><updated>2008-04-24T09:34:03.194+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-04-24T09:34:03.194+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Prosoniq" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="software" /><category scheme="http://www.blogger.com/atom/ns#" term="sound-design" /><title type="text">Prosoniq: Morph (and related stories) </title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=9196437316917011306" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/9196437316917011306?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/9196437316917011306?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/04/prosoniq-morph-and-related-stories.html" title="Prosoniq: Morph (and related stories) " /><author><name>AudioNewsRoom</name><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
Plug-in nostalgia? There can be such a thing? Well, yes, after all... 
Some time has passed since we've started experimenting with software fx and instruments. And probably, if we think back to the early days of plug-ins, the name Prosoniq comes to our mind bringing back some nice memories. SonicWORX (which was the first Mac software with  a plug in architecture in the 1990s), PiWarp, Orange &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=mctdO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=mctdO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=xjIlo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=xjIlo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3681143292737969307</id><published>2008-04-18T09:43:00.002+02:00</published><updated>2008-04-22T17:37:27.225+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-04-22T17:37:27.225+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Logic Pro" /><category scheme="http://www.blogger.com/atom/ns#" term="drum-machines" /><category scheme="http://www.blogger.com/atom/ns#" term="sound-design" /><category scheme="http://www.blogger.com/atom/ns#" term="sampling" /><title type="text">Glitch Gumbo vol.1</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3681143292737969307" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3681143292737969307?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3681143292737969307?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/04/glitch-gumbo-vol1.html" title="Glitch Gumbo vol.1" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Tip of the day: if you have 10.99$ (or 7 €) waiting to be spent, before doing anything else have a look at Atypical Audio's website. You'll find Glitch Gumbo vol.1, an interesting collection of 66 electronic percussion loops (Apple Loops/Acid ).
It's top quality stuff, made using Elektron Machinedrum and Monomachine, Max/Msp, Reaktor, etc. 
Especially Logic and Garageband users could find Glitch &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=dMqbO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=dMqbO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=1ONio"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=1ONio" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3268490492808145493</id><published>2008-04-08T18:29:00.010+02:00</published><updated>2008-04-11T13:06:40.621+02:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-04-11T13:06:40.621+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="off-the-record" /><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="sampling" /><title type="text">Off-the-record: ProAudioVault</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3268490492808145493" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3268490492808145493?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3268490492808145493?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/04/off-record-proaudiovault.html" title="Off-the-record: ProAudioVault" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://lh6.ggpht.com/audionewsroom/R_9AhMuCClI/AAAAAAAAAWk/NZ3PcGnvxEU/s72-c/offtherecord.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">ProAudioVault is Ernest Cholakis and Dan Dean. We loved their first release, a grand piano virtual instrument called Bluthner Digital Model One (or BDMO, for friends), and since they're also among the most respected people in the software industry we wanted to ask them some questions about BDMO, sampling and related topics.
Well, it took months for Ernest Cholakis to get its homework done, but &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=DRYiO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=DRYiO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=75m1o"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=75m1o" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-4314490688605070862</id><published>2008-03-03T11:37:00.007+01:00</published><updated>2008-03-03T22:10:00.808+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-03-03T22:10:00.808+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="plug-in" /><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="music industry" /><title type="text">Need an EQ? Pay what you want!</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=4314490688605070862" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/4314490688605070862?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/4314490688605070862?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/03/need-eq-pay-what-you-want.html" title="Need an EQ? Pay what you want!" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_dflsm6pay3s/R8vqOgjiBqI/AAAAAAAAAWU/xX6e5jUwSpc/s72-c/lp10eq.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">The much discussed pay-what-you-want model (Jane Siberry, Radiohead, etc.) is not just a music industry topic anymore. 5 months ago, a "young" software house, DDMF,  has started adopting this model for its two products, the LP10 and the IIEQ PRO (respectively, a mastering equalizer and a parametric tracking equalizer).We asked DDMF's developer, Christian, to tell us something more about his &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=pRxHO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=pRxHO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=eaLGo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=eaLGo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-490587660185824258</id><published>2008-02-21T23:26:00.001+01:00</published><updated>2008-02-29T00:00:19.926+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-02-29T00:00:19.926+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="news" /><category scheme="http://www.blogger.com/atom/ns#" term="Yamaha" /><category scheme="http://www.blogger.com/atom/ns#" term="TENORI-ON" /><title type="text">TENORI-ON: worldwide launch events</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=490587660185824258" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/490587660185824258?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/490587660185824258?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/02/tenori-on-launch-event-in-tokyo.html" title="TENORI-ON: worldwide launch events" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
On April 25th, The TENORI-ON will be officially launched in Japan with an event in Tokyo, at Spiral Hall (a multi-purpose cultural center). Among the confirmed guests/performers: Atom Heart.
 No further news about the launch in other countries yet. We'll keep you posted.

Update: worldwide launch events schedule is as follows... 

12th March Frankfurt 

8th April Berlin 

9th April Paris 

11th &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=H4cuO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=H4cuO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=kUEvo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=kUEvo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-3264742266948125240</id><published>2008-02-19T15:29:00.007+01:00</published><updated>2008-02-19T16:32:19.614+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-02-19T16:32:19.614+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="music industry" /><category scheme="http://www.blogger.com/atom/ns#" term="software" /><title type="text">EULA: don't give up!</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=3264742266948125240" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3264742266948125240?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/3264742266948125240?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/02/eula-dont-give-up.html" title="EULA: don't give up!" /><author><name>AudioNewsRoom</name><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_hsf6wE0sxWo/R7r2P_poaeI/AAAAAAAAAKE/HKby9GyFDnQ/s72-c/eula.gif" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">From BBC site: "The National Consumer Council (NCC) has accused 17 firms, including Microsoft, Adobe and Symantec, of using unfair end user licence agreements (EULAs). The NCC has asked the Office of Fair Trading to launch an investigation".The news is not yet on NCC site, so we could not investigate further, but we'll try to have a direct contact with them, as soon as possible.It would be &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=opDfO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=opDfO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=1dHfo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=1dHfo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry><entry><id>tag:blogger.com,1999:blog-5317437763268924224.post-6704483466024352802</id><published>2008-02-02T16:25:00.001+01:00</published><updated>2008-02-02T16:28:59.145+01:00</updated><app:edited xmlns:app="http://purl.org/atom/app#">2008-02-02T16:28:59.145+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="music industry" /><category scheme="http://www.blogger.com/atom/ns#" term="p2p" /><title type="text">Music industry: torrents vs. middlemen?</title><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=5317437763268924224&amp;postID=6704483466024352802" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/6704483466024352802?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5317437763268924224/posts/default/6704483466024352802?v=2" /><link rel="alternate" type="text/html" href="http://audionewsroom.blogspot.com/2008/02/music-industry-torrents-vs-middlemen.html" title="Music industry: torrents vs. middlemen?" /><author><name>AudioNewsRoom</name><uri>http://www.blogger.com/profile/07514620934820348471</uri><email>noreply@blogger.com</email></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">
Yesterday, on What.cd's (one of the most famous post-Oink torrent trackers) home page, you could have read an announcement which has already generated a lot  of buzz on the interweb: Alphabasic, a U.S. indie label, has agreed to release its latest album on the site. Here you find an excerpt from the company's CEO letter: 
"Hello listener…downloader…pirate…pseudo-criminal…
If you can read this, &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=tYpAO"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=tYpAO" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/audionewsroom?a=hhQQo"&gt;&lt;img src="http://feeds.feedburner.com/~f/audionewsroom?i=hhQQo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content></entry></feed>
